Anthony S. Abbot (’91/’02): Anthony S. Abbott is Professor Emeritus of English at Davidson College in Davidson, North Carolina. He is the author of two novels and six books of poetry, including the Pulitzer Prize nominated The Girl in the Yellow Raincoat. His most recent collection, If Words Could Save Us, received the 2012 Brockman-Campbell Award. Tony is past President of the North Carolina Poetry Society and the North Carolina Writers Network, and a recipient of the Sam Ragan Award for his writing and service to the literary community of North Carolina. www.thegirlintheyellowraincoat.com
Erin Adair-Hodges’ first book, Let’s All Die Happy, is the winner of the 2016 Agnes Lynch Starrett Poetry Prize and will be published as part of the Pitt Poetry Series in 2017. A Bread Loaf-Rona Jaffe Foundation Scholar in Poetry and winner of the 2014 Loraine Williams Prize from The Georgia Review, her work can be seen in journals such Boulevard, Green Mountains Review, Kenyon Review, The Pinch, and more. She teaches writing in Albuquerque, New Mexico, where she co-curates the Bad Mouth Reading Series. She attended the Community of Writers in 2014. www.erinmolly.com
Photo Credit: Brett Hall Jones
Kazim Ali was born in the United Kingdom and has lived transnationally in the United States, Canada, India, France, and the Middle East. His books encompass multiple genres, includingthe volumes of poetry Inquisition, Sky Ward, winner of the Ohioana Book Award in Poetry; The Far Mosque, winner of Alice James Books’ New England/New York Award; The Fortieth Day; All One’s Blue; and the cross-genre texts Bright Felon and Wind Instrument. His novels include the recently published The Secret Room: A String Quartet and among his books of essays are the hybrid memoir Silver Road: Essays, Maps & Calligraphies and Fasting for Ramadan: Notes from a Spiritual Practice. He is also an accomplished translator (of Marguerite Duras, Sohrab Sepehri, Ananda Devi, Mahmoud Chokrollahi and others) and an editor of several anthologies and books of criticism. After a career in public policy and organizing, Ali taught at various colleges and universities, including Oberlin College, Davidson College, St. Mary’s College of California, and Naropa University. He is currently a Professor of Literature at the University of California, San Diego. In 2020 his newest books will be published: a volume of three long poems entitled The Voice of Sheila Chandra and a memoir of his Canadian childhood, Northern Light. He attended the Community of Writers as a poetry participant in 1998 and has returned several times to teach. www.kazimali.com
Photo Credit: Tanya Rosen Jones
Photo Credit: Rachel-Eliza Griffiths
Lauren K. Alleyne (’08): Lauren K. Alleyne is the author of Difficult Fruit (Peepal Tree Press, 2014). Her fiction, non-fiction, interviews, and poetry have been widely published in journals and anthologies such as Women’s Studies Quarterly, Guernica, The Caribbean Writer, Black Arts Quarterly, The Cimarron Review, Crab Orchard Review, Gathering Ground, and Growing Up Girl, among others. Her work has earned several honors and awards, most recently first place in the 2016 Split This Rock Poetry Contest, as well as Picador Guest Professorship in Literature at the University of Leipzig, Germany, and a 2014 Iowa Arts Council Fellowship. Alleyne is a Cave Canem graduate, and is originally from Trinidad and Tobago. She currently works at James Madison University as Assistant Director of the Furious Flower Poetry Center and an Associate Professor of English. www.laurenkalleyne.com
Heather Altfeld is the 2017 recipient of the Robert H. Winner Award from the Poetry Society of America. Her poem, “Helpless Intruders in a Strange World” won the 2017 Iron Horse Literary Review Prize and is forthcoming as an e-single in June 2017. Her first book, The Disappearing Theatre, won the 2015 Poets at Work Prize, judged by Stephen Dunn, and was published in 2015. Her poems, “Blueprint for the Infinite” and “Two Pockets” won the 2015 Pablo Neruda Prize for Poetry with Nimrod International Magazine. She has poetry published or forthcoming in Narrative Magazine, Pleiades, ZYZZYVA, Okey-Panky, TLR, Miramar Poetry Review, West Marin Review, Poetry Northwest, Jewish Currents, Watershed Review, The Squaw Valley Review, Clackamas, The Arroyo Review, The New Guard, The Greensboro Review, Superstition Review, Laurel Review, and Zone 3. She lectures in English and the Honors Program at California State University, Chico and at Butte Community College. www.heatheraltfeld.com
ALICE ANDERSON’s debut memoir Some Bright Morning, I’ll Fly Away was released by St. Martin’s Press in August, 2017. Her work has appeared in literary journals including Agni and New Letters and is featured in anthologies such as American Poetry and On The Verge. Her second collection of poetry, The Watermark, contains three Pushcart Prize–nominated poems; her first, Human Nature, was published to critical acclaim. The recipient of The Plum Review Prize, the Elmer Holmes Bobst Prize, and The Great Lakes Colleges Best First Book Prize, she also received the Haven Foundation Grant from Stephen King. https://twitter.com/alicepoet
Photo Credit: David Drewry
Joan Baranow: (’90/’91/’92/’93/’94/’99/’01/’03/’06/’08/’11): Joan Baranow, Ph.D., is Professor of English at Dominican University of California, where she directs the MA Humanities and MFA Creative Writing programs. Her poetry has appeared in The Paris Review, Spillway, The Antioch Review, JAMA, The Gettysburg Review, and elsewhere. Her poetry also appears in anthologies that focus on healthcare issues. She has published two chapbooks and a full-length collection, entitled Living Apart. She is a recipient of Fellowships from the Virginia Center for the Creative Arts, Marin Arts Council, and the Ohio Arts Council. With her husband, physician and poet David Watts, she produced the PBS documentary Healing Words: Poetry & Medicine. Her second documentary, The Time We Have, is in post-production.
Photo Credit: Alan Jencks
Judy Bebelaar (’08,’10) taught English and creative writing in San Francisco public high schools for 37 years. She has received national recognition for her success in helping students find joy in writing their lives. Her poetry has been published widely. Her chapbook, Walking Across the Pacific, was published in 2014 by Finishing Line Press. Her poems appear in Turning a Train of Thought Upside Down (Scarlet Tanager Press, 2012), The Widows’ Handbook (Kent State U. Press 2014) and in River of Earth and Sky (Blue Light Press, 2015). She is co author of the book And Then They Were Gone: Teenagers of Peoples Temple from High School to Jonestown, a history of her students, some who survived, and many who perished in the tragedy of Jonestown, Guyana in 1978, to be published by Sugartown Publishing in the fall of 2017. www.judybebelaar.com
Photo Credit: Annie Silverstein
Dan Bellm (‘92/’95/’97/’03): His fourth full-length collection of poems, Deep Well, came out from the New Orleans-based press Lavender Ink in March 2017. He has published three other books of poetry: One Hand on the Wheel, Buried Treasure, and Practice (Sixteen Rivers Press), winner of a 2009 California Book Award and named one of the year’s ten best poetry books by the Virginia Quarterly Review. He also translates poetry and fiction from Spanish and French, including The Song of the Dead by French poet Pierre Reverdy (Black Square Editions, 2016), and Description of a Flash of Cobalt Blue by Mexican poet Jorge Esquinca (Unicorn Press, 2015). He has won fellowships from the National Endowment for the Arts and the California Arts Council, and teaches literary translation in the MFA in Creative Writing Program at Antioch University Los Angeles. www.danbellm.com
Photo Credit: Rachel Eliza Griffiths
Tara Betts: (’09): Tara Betts is the author of Break the Habit (Trio House Press, 2016), Arc & Hue (Willow Books, 2009), and the chapbook THE GREATEST: An Homage to Muhammad Ali. She is also one of the editors for The Beiging of America: Personal Narratives About Being Mixed Race in the 21st Century (2Leaf Press, 2017). In 2010, Essence Magazine named her one of their “40 Favorite Poets”. A Cave Canem alum, she received her Ph.D. in English at Binghamton University and her MFA from New England College. Tara’s work has appeared in journals, online and in several anthologies, including Ghost Fishing: An Eco-Justice Poetry Anthology, The Break Beat Poets Anthology, Octavia’s Brood: Science Fiction Stories from Social Justice Movements, Gathering Ground, Villanelles, The Incredible Sestina Anthology, Bum Rush the Page, Poetry Slam, These Hands I Know, and both Spoken Word Revolution anthologies, among others. www.tarabetts.net
Michelle Bitting (’05):
Michelle Bitting won the 2018 Mark Fischer Poetry Prize, and a fourth collection, Broken Kingdom won the 2018 Catamaran Prize. Her third collection is The Couple Who Fell to Earth (C & R Press), named to Kirkus Reviews’ Best Books of 2016. Her book Good Friday Kiss won the DeNovo First Book Award and Notes to the Beloved received a starred Kirkus Review.She has poems published in The American Poetry Review, Narrative, The New York Times, The Los Angeles Review, and others. Poems have appeared on Poetry Daily and Verse Daily, have been nominated for Pushcart and Best of the Net Prizes, and recently, The Pablo Neruda, American Literary Review and Tupelo Quarterly poetry contests. Michelle holds an MFA, MA, and PhD and joined the faculty at Loyola Marymount University this fall as a Lecturer in Poetry. She attended the Community of Writers in 2005. www.michellebitting.com
Laurel Ann Bogen (’80): Laurel Ann Bogen’s new book, Psychosis in the Produce Department: New and Selected Poems, 1975-2015, was published by Red Hen Press in April, 2016. She is on the Board of Directors (Vice President) at Beyond Baroque Literary/Arts Center and a founding member of the poetry performance ensemble Nearly Fatal Women. She continues teaching in the Writers’ Program at UCLA Extension as well as at the Los Angeles County Department of Mental Health. She attended the Community of Writers in 1980.
Bruce Bond (’97): Bruce Bond’s collections of poetry include Blackout Starlight: New and Selected Poems 1997-2015 (Louisiana State University Press, 2017), Sacrum (Four Way Books, 2017), Gold Bee (Southern Illinois University Press, 2016), Black Anthem (University of Tampa Press, 2016), Choir of the Wells: A Tetralogy (Etruscan, 2013), The Visible (LSU, 2012), Peal (Etruscan Press, 2009), Blind Rain (LSU, 2008), Cinder ( Etruscan Press, 2003), The Throats of Narcissus (University of Arkansas, 2001), Radiography (TIL Best Book of Poetry Award, BOA, 1997), The Anteroom of Paradise (Colladay Award, QRL, 1991), and Independence Days (R. Gross Award, Woodley Press, 1990). His poetry has appeared in Best American Poetry, Georgia Review, Raritan, New Republic, Poetry, and many other journals, and he has received numerous honors including fellowships from the NEA, Texas Commission on the Arts, and other organizations. Presently he is Regents Professor of English at the University of North Texas and Poetry Editor for American Literary Review.
Photo Credit: Tina Humphreys
Susan Browne (‘88/’10): Susan Browne’s poetry has appeared in Ploughshares, Mississippi Review, Subtropics, American Life in Poetry, Writer’s Almanac, and 180 More, Extraordinary Poems for Everyday. Her first book, Buddha’s Dogs, won the Four Way Books Intro Prize. Her second collection, Zephyr, won the Editor’s Prize at Steel Toe Books. She teaches at Diablo Valley College in Pleasant Hill, California. She also teaches poetry writing workshops online. susanmariebrowne.com
Photo Credit: John Atchley
Sharon Charde (’00, ’01, ’03, ’07): Sharon Charde, retired psychotherapist, won first prize in the Arcadia 2014 Ruby Irene chapbook contest and first prize in the 2014 Rash Awards, given by the Broad River Review. She has been published over sixty-five times in journals and anthologies of poetry and prose, and has earned seven Pushcart nominations, published three first-prize-winning chapbooks, Bad Girl At The Altar Rail, Four Trees Down From Ponte Sisto, and Incendiary, as well as a full-length collection, Branch In His Hand, adapted as a radio play by the BBC and broadcast in 2012. After Blue, for which she won honorable mention in Finishing Line Press’s 2013 chapbook contest, was published in September 2014. She has been awarded fellowships to VSC, VCCA, Yaddo, and the MacDowell Colony. www.sharoncharde.com
Photo Credit: Andrea Baccarelli
Ewa Chrusciel (‘08/’10):
Ewa Chrusciel has two books in Polish: Furkot and Sopilki, and two books in English, Strata (Emergency Press) and Contraband of Hoopoe (Omnidawn Press 2014). Her poems were featured in Jubilat, Boston Review, Colorado Review, Lana Turner, Spoon River Review, Aufgabe among others. She translated Jack London, Joseph Conrad, I.B. Singer as well as Jorie Graham, Lyn Hejinian, and other American poets into Polish. She is an associate professor at Colby-Sawyer College. http://www.echrusciel.net/
Photo Credit: John Michalsk
Nicelle Davis (’08), is a California poet, collaborator, and performance artist. Her most recent collection, In the Circus of You is available from Rose Metal Press. The author of two other books of poetry, Becoming Judas, is available from Red Hen Press and her first book, Circe, is available from Lowbrow Press. Another book of poems, The Walled Wife, is forthcoming from Red Hen Press in 2017. Her e-chapbook, Studies in Monogamy, can be read (and heard) at A Whale Sound. Her poems have appeared or are forthcoming in The Beloit Poetry Journal, The New York Quarterly, PANK, SLAB Magazine, and others. She is editor-at-large of The Los Angeles Review. She has taught poetry at Youth for Positive Change, an organization that promotes success for youth in secondary schools, MHA, and with Volunteers of America in their Homeless Youth Center. Recipient of the 2013 AROHO retreat 9 3/4 Fellowship, she is honored to work as a consultant for this important feminist organization. She currently teaches at Paraclete and with the Red Hen Press WITS program. www.nicelledavis.net
Photo Credit: David Leyes Photography
Nehassaiu deGannes (’94,’03): Nehassaiu deGannes is a poet whose love of language encompasses a life in the theater. She has two award-winning chapbooks: Percussion, Salt & Honey (The Philbrick Prize for New England Poets, selected by Michael Harper) and Undressing The River (2011 Center For Book Arts Letterpress Award, selected by Kimiko Hahn and Sharon Dolin.) Her poems have also appeared in Callaloo, Poem Memoir Story, American Poetry Review, Caribbean Writer, Painted Bride Quarterly, Tuesday: An Art Project, TORCH, Encyclopedia Project, After Shocks: The Poetry of Recovery Anthology, Crab Orchard Review, ARAVA Review and The Cave Canem XII Anthology. Nehassaiu’s fellowships and residencies include Cave Canem, The Vermont Studio Center, Soul Mountain and a Rhode Island State Council on The Arts Poetry Fellowship. She completed her MFA in Poetry at Brown University and The Graduate Acting Program at Trinity Rep Conservatory. www.nehassaiu.com
Photo Credit: Cris Baczek
Shira Dentz (’05): Shira Dentz is the author of three books, black seeds on a white dish, door of thin skins, and how do i net thee, and two chapbooks, Leaf Weather and FLOUNDERS. Her books have been reviewed in many journals including American Book Review, Rain Taxi, and The Boston Review. Her writing has appeared widely in journals including The American Poetry Review, The Iowa Review, Western Humanities Review, jubilat, and New American Writing, and featured in The Academy of American Poets’ Poem-a-Day Series, NPR, Poetry Daily, and Verse Daily. Her awards include an Academy of American Poets’ Prize, Poetry Society of America’s Lyric Poem and Cecil Hemley Memorial Awards, Electronic Poetry Review’s Discovery Award, and Painted Bride Quarterly’s Poetry Prize. A graduate of the Iowa Writers‘ Workshop, she has a Ph.D. in Creative Writing and Literature from the University of Utah, and is currently Drunken Boat‘s Reviews Editor and Lecturer in Creative Writ ing at Rensselaer Polytechnic Institute in Troy, New York.
She can be found online at shiradentz.com.
Photo Credit: Ingbet Gruttner
Charles Douthat (‘04/’09): Charles Douthat’s first book of poetry, Blue for Oceans, was published by NHR Books in 2010. It won the 2011 L.L.Winship/PEN New England Award for the best book of poetry by a New England author. Charles, who started reading and writing poems during a long mid-life illness, first came to Squaw Valley in 2004 and returned in 2009. Charles was born and raised in California and graduated from Stanford University, but for the last 30 years he’s lived in Connecticut where he still practices law. www.charlesdouthat.com.
Iris Jamahl Dunkle was the 2017-2018 Poet Laureate of Sonoma County, CA. Her poetry collections include Interrupted Geographies (Trio House Press, 2017) Gold Passage (Trio House Press, 2013) and There’s a Ghost in this Machine of Air (Word Tech, 2015). Her work has been published in Tin House, San Francisco Examiner, Fence, Calyx, Catamaran, Poet’s Market, Women’s Studies and Chicago Quarterly Review. Her biography on Charmian London, Jack London’s wife will be published by University of Oklahoma Press in 2020. Dunkle teaches at Napa Valley College and is the Poetry Director of the Napa Valley Writers’ Conference. She attended the Community of Writers in 1999 and 2010.
Photo Credit: Lisa Beth Anderson
Keith Ekiss (’06): Keith Ekiss is the author of Pima Road Notebook (New Issues Poetry & Prose, 2010) and the translator of “The Fire’s Journey,” an epic poem by the Costa Rican writer Eunice Odio forthcoming from Tavern Books in four volumes. Territory of Dawn: The Selected Poems of Eunice Odio will appear from The Bitter Oleander Press in Spring, 2016. He is a former Wallace Stegner Fellow and a Jones Lecturer in Creative Writing at Stanford University.
Photo Credit: Rachel Eliza Griffiths
Thomas Sayers Ellis was born and raised in Washington, DC. His first full collection, The Maverick Room, (Graywolf Press, 2005) received a Mrs. Giles Whiting Writers’ Award and the 2006 John C. Zacharis First Book Award. Graywolf Press recently published Skin, Inc. a collection of poetry. He co-founded The Dark Room Collective in Cambridge, Massachusetts, in 1988, and earned an MFA from Brown University in 1995. His writing has appeared in The Nation, The Paris Review, Poetry, Tin House and Best American Poetry (1997, 2001, 2010 and 2015). In 2011, he exhibited the first photographic one-man show of go-go music titled “(Un)Lock It: the Percussive People in the Go-Go Pocket.” He has taught at Howard University, Sarah Lawrence College, The University of San Francisco and the University of Montana. Recently he co-founded Heroes Are Gang Leaders, a language/music group of poets and musicians, and recorded “Chuck Town” (for Chuck Brown) and was, shortly thereafter, awarded a John Simon Guggenheim Fellowship in Poetry. www.tsellis.com
Blas Falconer (’12, ’16): Blas Falconer is the author of Forgive the Body This Failure ( Four Way Books, 2018); The Foundling Wheel (Four Way Books, 2012); A Question of Gravity and Light (University of Arizona Press, 2007); and The Perfect Hour (Pleasure Boat Studio: A Literary Press, 2006). He is also a co-editor for The Other Latin@: Writing Against a Singular Identity(University of Arizona Press, 2011) and Mentor & Muse: Essays from Poets to Poets (Southern Illinois University Press, 2010). Falconer’s awards include a 2011 National Endowment for the Arts Fellowship, the Maureen Egen Writers Exchange Award from Poets & Writers, a Tennessee Individual Artist Grant, the New Delta Review Eyster Prize for Poetry, and the Barthelme Fellowship. He teaches in the MFA program at San Diego State University. www.blasfalconer.com
Photo Credit: Robert Jordan
Ann Fisher-Wirth (‘92/’00/’09/ ’13): Ann Fisher-Wirth’s fifth book of poems is Mississippi, a collaboration with the acclaimed Delta photographer Maude Schuyler Clay (Wings Press, forthcoming February 2018). This has also led to a museum exhibition of prints and letterpress broadsides, and to a performance piece with six actors and blues guitar. Her other books of poems are Dream Cabinet, Carta Marina, Five Terraces, and Blue Window. Ann is coeditor of the groundbreaking Ecopoetry Anthology, with introduction by Robert Hass (Trinity UP 2013). Her poems have appeared widely and have received numerous awards. A fellow of the Black Earth Institute, she has held senior Fulbrights in Switzerland and Sweden, and has served as President of ASLE. In April 2017 she was Anne Spencer Poet in Residence at Randolph College in Virginia. She teaches at the University of Mississippi, where she also directs the Environmental Studies program. www.annfisherwirth.com
Photo Credit: John Taber
Molly Fisk is Poet Laureate of Nevada County and author of the poetry collections, The More Difficult Beauty and Listening to Winter, and the essay collections Houston, We Have a Possum; Using Your Turn Signal Promotes World Peace; and Blow-Drying a Chicken. Her radio commentary, “Observations from a Working Poet,” has aired weekly in the News Hour of KVMR-FM Nevada City, CA since 2005. Fisk has been awarded grants by the National Endowment for the Arts, the California Arts Council, and the Corporation for Public Broadcasting. She’s the Poet Laureate of KVMR and Hell’s Backbone Grill in Boulder, Utah, teaches writing to cancer patients, and works as a life coach in the Skills for Change tradition. She attended the Community of Writers in 1992,1995, 1998 and 2004; and emceed the Poetry Benefit Reading in Nevada City in 2017. www.mollyfiskunlimited.com www.mollyfisk.com
Mark Fitzgerald (‘06, ’09): Mark Fitzgerald is the author of By Way of Dust and Rain, which was published by Cinnamon Press in 2010 and was a finalist in the Elixir Press Poetry Award Series. His poetry has appeared in Crab Creek Review, Santa Clara Review, Squaw Review, Beltway Poetry Quarterly, Temenos, Poetry Midwest, Naugatuck River Review, and elsewhere. Mark has also published nonfiction is such places as the California Literary Review, Air Transport World, Public Roads, and Outdoor America. Originally from southeastern Pennsylvania, he received a B.A. in English from Franklin & Marshall College and an M.F.A in Creative Writing from George Mason University—graduating with Phi Beta Delta honors. He has also studied in Strasbourg, France and was awarded a fellowship to pursue his writing at Oxford. Mark is a senior writer at Woodward Communications and teaches writing at the University of Maryland in College Park. He lives in Falls Church, Virginia and is currently at work on a second collection of poetry. www.mfitzgeraldspage.com
CB Follett (’04/’00/’95/’93/’91): CB Follett is the author of ten books of poetry, most recently Quatrefoil (2016). She also published, along with photographer Ginna Fleming, Duet, A Conversation of Words and Images (2014). Other notable collections include Of Gravity and Tides (2013), and several chapbooks, most recently the 4 chapbook series Boxing the Compass (2014-2015). The Turning of the Light won the 2001 National Poetry Book Award. She is Editor/Publisher of Arctos Press and was publisher and co-editor (with Susan Terris) of Runes: a Review of Poetry (2001-2008). Follett has numerous nominations for Pushcart Prizes for individual poems, as well as nine nominations as a individual poet; a Marin Arts Council Grant for Poetry; and has been widely published both nationally and internationally. Follett was Poet Laureate of Marin County, CA from 2010-2013.
Jeanne Foster (Poetry, ’88; Writers Workshop, ’89,’92): Jeanne Foster’s latest poetry collection, Goodbye, Silver Sister, was released from Northwestern University Press, 2015. She is of Professor of Creative Writing at Saint Mary’s College of California. Her poems have appeared in Hudson Review, Triquarterly, Ploughshares, Literary Imagination, and others. She is co-editor of Appetite: Food as Metaphor (BOA 2002). “The First Workshop: a Memoir of James Wright” was published in American Poetry Review. Her poetry collection, A Blessing of Safe Travel, won the Quarterly Review of Literature Poetry Award (Princeton 1980). A finalist in the Tennessee Williams Literary Festival Poetry Contest 2015, she has received Woodrow Wilson, CAPS, MacDowell, and St. Lawrence Foundation grants.
Photo Credit: Mike Gannon
Megan Gannon (’04): Megan Gannon is the author of Cumberland, a novel, and White Nightgown, a book of poems. Her poems have appeared in venues such as Ploughshares, Pleiades, Notre Dame Review, Crazyhorse, and Best American Poetry 2006. She is an Assistant Professor of English at Ripon College in Ripon, Wisconsin. www.megangannon.com
Ángel García is the author of Teeth Never Sleep, winner of the 2018 CantoMundo Poetry Prize, which will be published by the University of Arkansas Press in the Fall of 2018. Currently a PhD student in Creative Writing at the University of Nebraska, Lincoln, Ángel has earned a B.A. in Interdisciplinary Studies from the University of Redlands and an M.F.A. from the University of California, Riverside. His work has been published in the American Poetry Review, Miramar, McSweeney’s, Huizache, and The Good Men Project, among others. In addition to his creative work, Ángel is also the cofounder of a non-profit organization, Gente Organizada, that works to educate, empower, and engage communities through grassroots organizing. He attended the Community of Writers in 2012.
Photo Credit: Lenny Foster
Veronica Golos: Veronica Golos is the author of two books, Vocabulary of Silence (Red Hen Press, 2011), winner of the 2011 New Mexico Book Award, poems from which are translated into Arabic by poet Nizar Sartawi, and available in over 24 journals throughout the Middle East. A Bell Buried Deep was co-winner of the 16th Annual Nicholas Roerich Poetry Prize, nominated for a Pushcart Prize by Edward Hirsch and is set to be re-issued by Tupelo Press in 2014. Golos’s poems are included in The Poet’s Craft, University of Michigan Press; Collecting Life, from 3: A Taos Press, 2011, and in journals in the US and internationally. Golos is Acquisitions Editor for 3:A Taos Press, and co-editor of the Taos Journal of Poetry & Art. www.veronicagolos.wordpress.com
Judy Halebsky is the author of the poetry collections Sky=Empty, Tree Line and the chapbook Space/Gap/Interval/Distance. Fellowships from the MacDowell Colony, the Millay Colony, and the Vermont Studio Center have supported her work. Her passions include the Moth-style storytelling and walking as a day-long activity. She teaches English and Creative Writing at Dominican University of California and lives in Oakland. www.judyhalebsky.com
Saskia Hamilton (’89/ ’92): .Saskia Hamilton is the author of three collections of poetry: As for Dream, Divide These, and Corridor. She is also the editor of The Letters of Robert Lowell and the co-editor of Words in Air: The Complete Correspondence between Elizabeth Bishop and Robert Lowell. She teaches at Barnard College in New York City.
Photo Credit: Molly Boiling
John Harvey (’95): John Harvey ran Slow Dancer Press from 1977 to 1999, publishing, amongst others, the work of Sharon Olds, Lucille Clifton and James Schuyler in the UK. His own New & Selected Poems, Out of Silence, was published by Smith/Doorstop in 2014. His crime fiction has won major prizes in Great Britain, France and the US, and he is the recipient of the Crime Writers Association Cartier Diamond Dagger for Sustained Excellence in Crime Writing. He has been awarded Honorary Degrees, Doctor of Letters, by the Universities of Nottingham and Hertfordshire. http://mellotone.co.uk/
Donna Henderson (’88, ’89, ’92, ’94, ’02, ’09, ’11) is the author of three collections of poems, two of which have been finalists for the Oregon Book Award in poetry. Her poems, essays, song lyrics, and reviews have appeared in a variety of magazines and anthologies, performance venues, art installations, and recordings (most recently, on the CD I Dream Awake with composer Bill Whitley). Donna is also the vocalist and bandleader of the jazz and latin music band, Chuvarada. She maintains a psychotherapy (and other healing arts) practice in Maupin, Oregon, where she lives with her husband.
Marcelo Hernandez Castillo is a poet, essayist, translator, and immigration advocate. He was born in Zacatecas, Mexico and immigrated to the California central valley. He is the author of the collection of poems, Cenzontle, which was chosen by Brenda Shaughnessy as the winner of the 2017 A. Poulin, Jr. Prize published by BOA editions in 2018. Cenzontle is also the winner of the Great Lakes Colleges Association New Writer Award for poetry, the 2019 Golden Poppy Award from the Northern California Independent Booksellers Association, and the Bronze in the FOREWORD INDIE best book of the year. Cenzontle is also a finalist for the Lambda Literary Award, the California Book Award, the Publishing Triangle’s Thom Gunn Award for Gay Poetry, and the Northern California Book Award. Cenzontle was listed among one of NPR’s and the New York Public Library top picks of 2018. His first chapbook, DULCE, won the Drinking Gourd Poetry Prize published by Northwestern University press. Castillo has helped to establish The Undocupoet Fellowship which provides funding to help curb the cost of submissions to journals and contests for undocumented writers. His work has been adopted to opera through collaboration with the composer Reinaldo Moya and has appeared or been featured in The New York Times, The Paris Review, The Academy of American Poets, “PBS Newshour,” New England Review, People Magazine, among others. His memoir, Children of the Land is forthcoming from Harper Collins in 2020. He attended the Community of Writers as a participant in 2011 with the Lucille Clifton Memorial Scholarship. marcelohernandezcastillo.com
Photo Credit: Michael McGeoy
Christina Hutchins (’03,’06,’10,’13, ’16): Christina Hutchins’ Tender the Maker (Utah State University, 2015) won the May Swenson Award. She is also the author of The Stranger Dissolves (Sixteen Rivers, 2011), and the chapbooks, Radiantly We Inhabit the Air (Becker Prize, 2011) and Collecting Light (1999). Her poems have appeared in Antioch Review, The New Republic, Prairie Schooner, Salmagundi, The Southern Review, The Women’s Review of Books. Her work has been awarded The Missouri Review Editors’ Prize, National Poetry Review Finch Prize, two Money for Women Awards, and the James Phelan Award. She has received fellowships from Villa Montalvo Center for the Arts and Summer Literary Seminars in St. Petersburg, Russia. She holds degrees from UC Davis, Harvard, and Graduate Theological Union, teaches in Berkeley, and was the first poet laureate of Albany, CA. www.christinahutchins.net
Troy Jollimore‘s first book of poetry, Tom Thomson in Purgatory, won the 2006 National Book Critics Circle Award. His second book, At Lake Scugog, was published in the Princeton Series of Contemporary Poets in 2011. His latest book, Syllabus of Errors: Poems, was published in September, 2015, by Princeton University Press. His poems have appeared in the New Yorker, McSweeney’s, the Believer, and other publications. He earned a PhD in philosophy from Princeton University and is currently a professor in the philosophy department at California State University, Chico. He attended the Community of Writers Poetry Workshop in 2012 and 2015. www.troyjollimore.com
Photo Credit: Fay Chiang
Patricia Spears Jones (’91/’92/’94): Patricia Spears Jones is the author of three poetry collections Painkiller (2010) and Femme du Monde (2006) from Tia Chucha Press and The Weather That Kills (1994) from Coffee House Press and two chapbooks Mythologizing Always and Repuestas! Her fourth collection: A Lucent Fire: New and Selected Poems is out from White Pine Press (White Pine Press Distinguished Poets series) which features her 2016 Pushcart Prize winning poem, “Etta James at the Audubon Ballroom.” She was a finalist for the Paterson Poetry Prize from the Poetry Society of America and the Paterson Prize from the Passaic County Community College, which was won by her Vermont College advisor, Mark Doy. Her work is widely anthologized. In 2015 she received a Barbara Deming Memorial Fund award for her memoir in progress. Her poetry is anthologized in Starting Today: 100 Poems for Obama’s First 100 Days; Black Nature: Four Centuries of African American Nature Poetry; Bowery Women: Poems; broken land: Poems of Brooklyn; Poetry After 911; Blood & Tears: Poems for Matthew Shepard; Home Girls: A Black Feminist Anthology; Sisterfire; and Best American Poetry, 2000. She has written plays with music commissioned and produced by Mabou Mines: ‘Mother’ in 1994 and Song for New York: What Women Do When Men Sit Knitting in 2007. She edited and contributed to Think: Poems for Aretha Franklin’s Inauguration Day Hat and co-edited the groundbreaking anthology, Ordinary Women: Poetry by New York City Women (1978). Her poems, interviews, reviews and commentary can be found in Bomb; Tuesday; An Art Project, www.kwelijournal.com, downtown Brooklyn, Fifth Wednesday, Barrow Street, The Oxford American, The Poetry Project Newsletter, African Voices, PMS#8; Black Renaissance Noire, Court Green, Callaloo, nocturne, Agni, Black Issues Book Review, Essence, The Brooklyn Rail, The Southampton Review; TriQuarterly, Ploughshares and www.tribes.org. She has an MFA in Creative Writing from Vermont College. She has taught at Poets House, St. Mark’s Poetry Project, Cave Canem’s New York City Workshop, Parsons School of Design, Sarah Lawrence College, and summer courses at Naropa University, Pine Manor College, University of Rhode Island, and Manhattanville College. She is the recipient of The Jackson Poetry Prize, one the most prestigious awards for American Poets via Poets & Writers, Inc. The $50,000 prize is among the most substantial given to an American poet. She was a Poetry staff member at the Community of Writers in 2016. Her website is www.psjones.com.
Photo Credit: Norman Griffith
Marilyn Kallet (’96/’98/’05): Marilyn Kallet is the author of 17 previous books, including The Love That Moves Me and Packing Light: New and Selected Poems, poetry from Black Widow Press. She has translated Paul Eluard’s Last Love Poems, Péret’s The Big Game, and co-translated Chantal Bizzini’s Disenchanted City. Dr. Kallet is Nancy Moore Goslee Professor of English at the University of Tennessee. She also leads poetry workshops every year for VCCA-France in Auvillar. She has performed her poems across the United States as well as in France and Poland, as a guest of the U.S. Embassy’s “America Presents” program. The University of Tennessee lists her as a specialist on poetry’s role in times of crisis, as well as on poetry and healing, poetry and humor, poetry and dreams, poetry and Jewish identity. http://marilynkallet.com/
Andrew Kaufman (’01/’08): Andrew Kaufman’s Cinnamon Bay Sonnets won the 1996 Center for Book Arts award and was followed by Earth’s Ends winner of the 2005 Pearl Poetry Prize. His most recent book, Both Sides of the Niger, was published by Spuyten Duyvil Press in 2013. He is currently completing a book of poems based on his encounters with genocide survivors and perpetrators in Rwanda and sex-slavery survivors in eastern Congo. An NEA award has made possible the Third World travel reflected in his poems. He earned his MFA in poetry from Brooklyn College, his Ph. D. in English literature from the University of Toronto and has taught at a number of colleges and universities. He lives in New York City and attended the Community of Writers in 2001 and 2008. www.andrewkaufman.wordpress.com
Photo Credit: Holaday Mason
David Koehn‘s first full-length book of poetry, Twine, won the 2013 May Sarton Poetry Prize. His poetry and translations were previously collected in two chapbooks, Tunic, (speCt! books 2013) and Coil (University of Alaska, 1998), the winner of the Midnight Sun Chapbook Contest. David edited and drove the release of Compendium, a collection of Donald Justice’s take on prosody, (Omnidawn Publishing 2017). David’s second full-length collection, Scatterplot, is due out from Omnidawn in 2020. His writing has appeared in the Kenyon Review, New England Review, Alaska Quarterly Review, NYQ, Volt, Carolina Quarterly, Diagram, The Greensboro Review, and in many other publications. He attended the Community of Writers in 2004, 2006, and 2014. davidkoehn.com
Photo Credit: Betsy Dougherty
Keetje Kuipers (’05): Keetje Kuipers has been the Margery Davis Boyden Wilderness Writing Resident, a Stegner Fellow at Stanford, and the Emerging Writer Lecturer at Gettysburg College. A recipient of the Pushcart Prize, her poems, essays, and fiction have appeared in numerous magazines and anthologies, including Best American Poetry. Her first book of poetry, Beautiful in the Mouth, won the 2009 A. Poulin, Jr. Poetry Prize and was published by BOA Editions. Her second collection, The Keys to the Jail, was published by BOA in 2014. Keetje is an Assistant Professor at Auburn University where she is Editor of Southern Humanities Review. She attended the Community of Writers in 2005. www.keetjekuipers.com
Danusha Laméris (’00): Danusha’s work has been published in The New York Times Magazine, American Poetry Review, New Letters, Alaska Quarterly Review, Rattle, and The Sun magazine and as well as in a variety of other journals and anthologies. Her poem, “The Bedouin Dress,” received first place for Atlanta Review‘s poetry contest and her poem, “The God of Numbers,” earned a special mention in the 2015 Pushcart Prize Anthology. Her first book, The Moons of August, was chosen by Naomi Shihab Nye as the winner of the Autumn House Press poetry contest, and was released in early 2014. She lives in Santa Cruz, California and teaches an ongoing poetry group as well as working with individual writers. danushalameris.com
Devi S. Laskar is the author of the debut novel, The Atlas of Reds and Blues, published in February 2019 by Counterpoint Press. Her work has appeared in such publications as Tin House, Rattle, Crab Orchard Review and The Raleigh Review, which nominated her for Best New Poets. In 2017, Finishing Line Press published two poetry chapbooks, Gas & Food, No Lodging and Anastasia Maps. She has been nominated for a Pushcart Prize and Best of the Net. A former reporter, Ms. Laskar is now a poet, photographer, essayist and novelist. She lives with her family in the San Francisco Bay Area. She has attended the Poetry Workshop many times and the Writers Workshops in 2004 and 2015. www.devislaskar.com
Photo Credit: Anjini Laskar
Photo Credit: Brett Hall Jones
Lester Graves Lennon (’17/’11/’09/’07/’05/’03/’01/’99): Lester Graves Lennon’s first book of poetry, The Upward Curve of Earth and Heavens (2002), is found in more than 70 public and university libraries including the New York City Public Library, U. C. Berkeley, Harvard and Oxford. His next book, My Father Was A Poet, will be published in the spring of 2013. Mr. Lennon is an investment banker who lives with his family in the Los Angeles megalopolis where he is a member of the Los Angeles Poet Laureate Task Force. He also serves on the advisory board of the West Chester University Poetry Center and the English Department of the University of Wisconsin.
Kenji C. Liu is the author of Map of an Onion, national winner of the 2015 Hillary Gravendyk Poetry Prize. His poetry can be found many places, including American Poetry Review, Action Yes!, Split This Rock’s poem of the week series, several anthologies, and two chapbooks, Craters: A Field Guide (2017) and You Left Without Your Shoes (2009). His new collection of poetry, Monsters I Have Been, is forthcoming from Alice James Books in April 2019. A Kundiman fellow and an alumnus of VONA/Voices, the Djerassi Resident Artist Program, he lives in Los Angeles. He attended the Community of Writers in 2014.
Bonnie Long (’11,’14): After many years of working as a city manager, Bonnie Long retired and began writing poetry. Her first chapbook, Spine Still Holding, was published by Finishing Line Press in 2015. Her work has appeared in Spillway, The Squaw Valley Review, Marin Poetry Center Anthologies, and Solstice Writers’ Anthology. Bonnie lives in St. Helena, California with her husband John and standard poodles Cole and Emma.
Photo Credit: Lynn Saville
Sabra Loomis (’89/’91/’03): Sabra Loomis is the author of House Held Together by Winds, Winner of the 2007 National Poetry Series Open Competition as selected by James Tate (HarperCollins, 2008). She is also the author of Rosetree and two chapbooks of poetry. Her poems have appeared in literary journals and magazines including American Poetry Review, American Voice, Cincinnati Poetry Review, Heliotrope, Lumina, Cyphers, and St. Ann’s Review. Ms. Loomis has received awards from the Artists Foundation, the Yeats Society, and the British Council, as well as fellowships from Yaddo and the MacDowell Colony. She teaches frequently at the William Joiner Center at the University of Massachusetts, and was on the faculty of the Poets’ House, Donegal, for many years. Sabra Loomis divides her time between New York City and Achill Island, Ireland.
Photo Credit: Phil Taggart
Glenna Luschei Ph.D. (’99): Glenna Luschei has published Solo Press books and poetry magazines for fifty years. She has received a National Endowment for the Arts Fellowship, a D.H Lawrence Fellowship in New Mexico, an Honorary Doctorate of Literature from St. Andrew’s Presbyterian College in Laurinburg, North Carolina and a Master of Life Award from her alma mater, The University of Nebraska. She was named Poet Laureate of San Luis Obispo City and County for the year 2000. She served as a panelist for the National Endowment for the Arts. Luschei is the author of many chapbooks, special editions and trade books. Her latest books are Zen Duende: Collaborative Poems (Presa Press 2016) and The Sky is Shooting Blue Arrows (University of New Mexico Press, 2014). Three of her artist books have received prizes from the Rounce & Coffin Best Western books from Occidental College. She has taught many years for UCLA Arts Reach, for Chaplin College at the California Men’s Colony, for Cal Poly, San Luis Obispo and at Atascadero State Hospital. She is featured in the movie “Between Two Rivers.”
Photo Credit: Holaday Mason & DH Dowling
Sarah Maclay (’97/’07): Sarah Maclay was named one of “Five American Poets to Watch in 2013” by the Huffington Post. The author of Music for the Black Room, The White Bride and Whore (Tampa Review Prize for Poetry), her work has appeared in APR, Ploughshares, FIELD, The Writer’s Chronicle, Poetry Daily, VerseDaily, The Best American Erotic Poems: 1800 to the Present, and Poetry International, where she serves as Book Review Editor, and in many other journals. The recipient of a Special Mention in Pushcart Prize XXXI, she teaches at LMU and conducts workshops at The Ruskin Art Club and Beyond Baroque. www.sarahmaclay.com
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Fred Marchant (’92): Marchant’s most recent book of poetry, The Looking House (Graywolf Press, 2009) was named by Barnes and Noble Review as one of the five best books of poetry in 2009, and The San Francisco Chronicle named it one of the ten best. Marchant is also the author of Tipping Point, winner of the 1993 Washington Prize in poetry, and Full Moon Boat (Graywolf Press, 2000). A new and selected volume, House on Water, House in Air, was published by Dedalus Press, Dublin, Ireland, in 2002. He poems and reviews have appeared in such journals as AGNI, The American Poetry Review, Gulf Coast, Harvard Review, Ploughshares, Poetry, and Salamander. Marchant has co-translated (with Nguyen Ba Chung) From a Corner of My Yard, poetry by the Vietnamese poet Tran Dang Khoa, published in 2006, in Ha Noi, Viet Nam. He is also the editor of Another World Instead: The Early Poems of William Stafford, 1937-1947 (Graywolf Press, 2008. Professor of English and the Director of the Creative Writing Program at Suffolk University in Boston, he has taught workshops at various sites across the country. In 2009 Marchant was co-winner of the May Sarton Award from the New England Poetry Club, given to poets whose “work is an inspiration to other poets.” www.fredmarchant.com
Photo Credit: John F. Martin
Diane Kirsten Martin (‘88/’92/’94/’02): Diane K. Martin’s poems are forthcoming or have appeared in Kenyon Review, Field, Zyzzyva, Harvard Review, Narrative, New England Review, and many other journals and anthologies. Her work was included in Best New Poets, has received a Pushcart Special Mention, and won the 2009 poetry prize from Smartish Pace. Her first collection, Conjugated Visits, a National Poetry Series finalist, was published in May 2010 by Dream Horse Press. Her newest manuscript, Hue and Cry, is seeking a publisher. She lives in West Sonoma County, California with her photographer husband and her dog.
Beverly Matherne (’94): Beverly Matherne is the author of Bayou des Acadiens / Blind River, short stories and prose poetry, from Les Éditions Perce-Neige (2015), preceded by five books. She has won seven first-place poetry awards, including the Hackney Literary Award for Poetry. Her publications appear in Interdisciplinary Humanities, Metamorphoses, and Verse and in many anthologies. She has done over 260 readings across the US, Canada, and France, and in Wales, Belgium, Germany, and Spain, including venues such as Shakespeare and Company in Paris and the United Nations in New York. Her bilingual writing, and that of Samuel Beckett and others, is the subject of a completed dissertation at University of Paris III. Professor Emerita at Northern Michigan University, she attended the Community of Writers in 1994.
Dawn McGuire is a neurologist and author of three poetry collections, including American Dream with Exit Wound (IF SF Publishing, 2017) and The Aphasia Café (IF SF Publishing, 2012), winner of the 2013 Indie Book Award for Poetry. She grew up in the Appalachian region of Kentucky and was educated at Princeton University, Union Theological Seminary, and Columbia College of Physicians and Surgeons. She lives and works in Northern California.
Sara Michas-Martin writes, teaches and occasionally designs. Her book Gray Matter (Fordham University Press) was chosen by Susan Wheeler for the 2013 Poets Out Loud Prize. Her poems and essays have appeared in the American Poetry Review, The Believer, Best New Poets, CURA, Denver Quarterly, Gulf Coast, Harvard Review, jubilat, Prairie Schooner, Threepenny Review and elsewhere. She is a former Wallace Stegner Fellow and Jones Lecturer at Stanford University, and has also taught creative writing and interdisciplinary studies at Goddard College, University of Michigan, and continues to teach courses for Stanford’s Online Writer’s Studio. Other awards include a Dorothy Sargent Rosenberg prize, a creative nonfiction grant from the Barbara Deming Memorial Fund, residency fellowships from the Hall Farm Center and the Vermont Studio Center, and scholarships from the Bread Loaf, Squaw Valley and Napa Valley Community of Writers’ Conferences. www.saramichasmartin.com
Norman Minnick (’06): Norman Minnick’s second collection of poems, Folly, is published by Wind Publications. His first collection, To Taste the Water, won the First Series Award from Mid-List Press. He is the editor of Between Water and Song: New Poets for the Twenty-First Century (White Pine Press, 2010). www.buzzminnick.com
Berwyn Moore (’90/’92): Berwyn Moore was awarded the 2015 James Dickey Poetry Prize from Five Points: A Journal of Literature and Art. Her poems have also won awards from the Bellevue Literary Review, The Pinch Literary Journal, Margie: The American Journal of Poetry, and Negative Capability Press and have been nominated for the Pushcart Prize. Her collections include O Body Swayed and Dissolution of Ghosts, which was a finalist for the Lyre Prize. She edited the anthology Dwelling in Possibility: Voices of Erie County and served as the inaugural Poet Laureate of Erie County, Pennsylvania, from 2009 to 2010. Her poetry has been published in The Southern Review, Measure: A Review of Formal Poetry, Shenandoah, Poetry Northwest, Nimrod, Journal of the American Medical Association, and Briar Cliff Review and other journals. She teaches English at Gannon University in Erie, Pennsylvania.
Photo Credit: Phil Greene
Richard O. Moore (’96/’97): Richard Moore, a documentary filmmaker for public television, was one of the founders of KPFA—the first publicly supported radio station in the United States. He was born in Alliance, Ohio, and attended the University of California, Berkeley, where he studied poetry with Josephine Miles. He was associated with the San Francisco Renaissance and frequented Kenneth Rexroth’s Friday meetings for poets, philosophers, and poetry aficionados. During World War II, Moore was classified 4-F and counseled conscientious objectors. He wrote poetry for decades but shared little of it until poet Brenda Hillman encouraged him to publish. In 2010, Hillman and Paul Ebenkamp edited Moore’s book Writing the Silences, a collection representing more than 60 years of his work. Moore’s early exposures to Miles’s teachings, Rexroth’s poetry, and philosophers such as Ludwig Wittgenstein all influenced his writing. Hillman, in her foreword to Writing the Silences, explains that “Moore developed a signature style of poetry: open, spare verse that foregrounds philosophical inquiry.” Writing the Silences was a Northern California Book Award nominee. Moore published his second book, Particulars of Place, in 2015. Moore passed away in 2015 at the age of 95 in Mill Valley, CA.
Photo Credit: William Bagnell
Rusty Morrison (‘95/’96): Rusty Morrison’s After Urgency won Tupelo’s Dorset Prize (2012). Her book the true keeps calm biding its story won Academy of American Poet’s James Laughlin Award, the Northern California Book Award, Ahsahta’s Sawtooth Prize, and the Alice Fay DiCastagnola Awards from Poetry Society of America for a manuscript-in-progress. Whethering, won the Colorado Prize for Poetry. Her chapbook, The Book of the Given, was published by Noemi Press. She has received the George Bogin, Cecil Hemley, and Robert H. Winner Memorial Awards from Poetry Society of America. Morrison has also won the Patricia Goedicke Prize in Poetry from Cutbank, the University of Montana’s literary magazine. Her poems have been published in periodicals including American Poetry Review, Boston Review, Chicago Review, Colorado Review, Gulf Coast, Lana Turner, New American Writing, Pleiades, Verse, VOLT.Her critical writings &/or her creative nonfictions have been published in journals includingChicago Review, Denver Quarterly, Poetry Flash, Verse, and in the anthologyOne Word: Contemporary Writers on the Words They Love or Loathe (Sarabande 2010).She is Omnidawn’s co-publisher (www.omnidawn.com
Collier Nogues (’06): Collier Nogues is the author of The Ground I Stand On Is Not My Ground, selected by Forrest Gander as the winner of the 2014 Drunken Boat Poetry Book Contest, and On the Other Side, Blue (Four Way, 2011). She teaches creative writing in the Chinese University of Hong Kong’s MA Programme in Literary Studies, and is a PhD Fellow in the School of English at the University of Hong Kong, where she studies contemporary poetry’s responses to US militarization. She also co-edits poetry for Juked and curates Hong Kong’s English-language poetry craft talk series, Ragged Claws. In Spring 2016, she was Lingnan University’s Writer in Residence. www.colliernogues.com
Photo Credit: Christian D. Meade
Kathleen O’Toole: Kathleen O’Toole is the author of the collections Meanwhile (David Robert Brooks, 2011) and Practice (Finishing Line Press, 2005). She has combined a more than thirty-year professional life in community organizing with teaching and writing. In 1991 she received an MA from Johns Hopkins University, and has taught writing at Hopkins and at the Maryland Institute College of Art. her poems have appeared in regional and national journals and magazines, including America, Christian Century, Little Patuxent Review, Margie, Natural Bridge, New Millennium Writings, Poetry, Poetry East, Potomac Review and Prairie Schooner. Find her on line in Beltway and Delaware Review. Anthologies in which her work has appeared include DC Poets Against the War and Inspired Results: Poets and Artists of Takoma Park, MD. Kathleen has attended the Community of Writers five times. www.kathleenotoolepoetry.com
Photo Credit: Nell Campbell
Melinda Palacio (’09): Melinda Palacio is a poet, author, and speaker. She lives in Santa Barbara and New Orleans. Her poetry chapbook, Folsom Lockdown, won Kulupi Press’ Sense of Place 2009 award. She is the author of the novel, Ocotillo Dreams (ASU Bilingual Press 2011), for which she received the Mariposa Award for Best First Book at the 2012 International Latino Book Awards and a 2012 PEN Oakland-Josephine Miles Award for Excellence in Literature. Her first full-length poetry collection, How Fire Is a Story, Waiting, (Tia Chucha Press 2012) was a finalist for the Milt Kessler Award, the Patterson Prize, and received First Prize in Poetry at the 2013 ILBA. Her new poetry book, Bird Forgiveness, is forthcoming from 3: A Taos Press in 2018. www.melindapalacio.com
Photo Credit: Nell Campbell
Photo Credit: Misti Layne
Elizabeth Percer (’06): Elizabeth Percer is a poet and novelist, who has has twice been honored by the Dorothy Sargent Rosenberg Foundation. Her most recent poetry collection, Ultrasound, was published in 2014 by Wolf Ridge Press. Her first novel, An Uncommon Education, was published by HarperCollins in 2012 and was on Oprah’s Best Books of Summer 2012 list and Amazon’s Top Ten Novels of the Month, 2012. Her second novel, All Stories Are Love Stories, was published by HarperCollins in 2014. She lives in Redwood City, CA with her husband and three children. www.elizabethpercer.com
Ruben Quesada (’07): Ruben Quesada is the author of Next Extinct Mammal, and Exiled from the Throne of Night: Selected Translations of Luis Cernuda. Quesada is founding editor of Codex Journal, poetry editor at The Cossack Review and Cobalt, staff writer at Luna Luna Magazine, and co-founder of Stories & Queer. His new book of poetry, Revelations, was published in November, 2018, by Sibling Rivalry Press. A two-time Pushcart Prize nominee, his poetry has appeared in The American Poetry Review, Cimarron Review, Third Coast, Rattle, Superstition Review, Boaat Press, and others. Quesada is an Assistant Professor of English and Creative Writing at Eastern Illinois University. He is at work on his second collection of poetry and he is editing an anthology of essays on Latino Poetics forthcoming from University of New Mexico Press. He attended the Community of Writers in 2010. rubenquesada.com
Photo Credit: Rod Rolle
Sojourner Kincaid Rolle (’94,’97) is a poet, playwright, an environmental educator and a peace activist. She is the current Poet Laureate of Santa Barbara, CA. (2015-2017). Her book of poems for young people, The Mellow Yellow Global Umbrella, was published as an e-book and as an audio book by Lucky Penny Press (2013). Her other books include Common Ancestry (Millie Grazie Press, 1999) and Black Street, (Center for Black Studies Research – 2009). Her poems have appeared in the publications California Quarterly, Coffee Press, Squaw Review and others, and in the following anthologies: The Geography of Home (Heyday Books, 1999), Rivertalk 2000, Poetry Zone I, II & III, The Poetry of Peace (Capra Press), A Crow Black as the Sun (Green Poet Press, 2011) and Corners of the Mouth: Celebrating 30 Years of the SLO Poetry Festival (2014 ). She has engaged young poets through her “Song of Place Poetry Project” and her work with City At Peace, Speak for the Creeks, the Annual Young Writers Poetry Contest and the MLK Poetry and Essay Contest. She hosts a monthly poetry event, The Poetry Zone, and for the past 13 years has organized an annual tribute to poetry icon Langston Hughes. Rolle is a two-time recipient of the California Arts Council’ Artist-in-Residence program and for eight years led poetry workshops in schools throughout the South County as a part of the Santa Barbara Public Library’s Elli program.
Renato Rosaldo (’00, ’02, ’07): An internationally known cultural anthropologist, Renato Rosaldo started writing poetry while recovering from a stroke in 1996. His first book of poetry, Spanish-English, facing pages, Prayer to Spider Woman/Rezo a la mujer araña, won the American Book Award, 2004. His second book, Diego Luna’s Insider Tips (2012), won the Many Mountains Moving poetry book manuscript prize selected by Martin Espada. His third book, The Day of Shelly’s Death (2014), was published by Duke UP. He is Professor of Cultural Anthropology Emeritus at New York University and Lucy Stern Professor in the Social Sciences Emeritus at Stanford University. He is a member of the American Academy of Arts and Sciences. He is also the author of Culture and Truth and Ilongot Headhunting, 1883-1974.
Photo Credit: Jamie Borland
Mira Rosenthal (’00): Mira Rosenthal is the author of the poetry collection The Local World, which won the Wick Poetry Prize. Among her awards are fellowships from the National Endowment for the Arts, the PEN American Center, the MacDowell Colony, the American Council of Learned Societies, and Stanford University, where she was a Wallace Stegner Fellow in Poetry. While on a Fulbright Fellowship to Poland, she discovered her passion for translating contemporary Polish poetry. Her translations include Colonies and The Forgotten Keys, both by Tomasz Rozycki. Her poems, translations, and essays have been published in many literary journals and anthologies, including Ploughshares, American Poetry Review, Slate, A Public Space, and Mentor and Muse: Essays from Poets to Poets. www.mirarosenthal.com
Elizabeth Rosner is a bestselling novelist, poet, and essayist living in Berkeley, California. Her newest book of nonfiction, Survivor Cafe: The Legacy of Trauma and the Labyrinth of Memory, was featured on NPR’s All Things Considered and in The New York Times; it was also a finalist for a National Jewish Book Award. Her three acclaimed novels have been translated into nine languages and have received prizes in the US and in Europe. A graduate of Stanford University, the University of California at Irvine, and the University of Queensland in Australia, she lectures and teaches writing workshops internationally. http://www.elizabethrosner.com/
Photo credit: Judy Dater
Marjorie Saiser (’00): Marjorie Saiser is the author of five books of poetry and co-editor of two anthologies. Her work has been published in American Life in Poetry, The Writer’s Almanac, Nimrod, Rattle.com, PoetryMagazine.com, RHINO, Chattahoochee Review, Poetry East, Poet Lore, and other journals. She has received the WILLA Award and nominations for the Pushcart Prize. www.poetmarge.com.
Natasha Sajé (’92): Natasha Sajé is the author of three books of poems, including Vivarium (Tupelo, 2014, a book of poetry criticism; Windows and Doors: A Poet Reads Literary Theory (Michigan, 2014): and many other essays. Her honors include the Robert Winner and the Alice Fay di Castagnola Awards from the Poetry Society of America, the 2002 Campbell Corner Poetry Prize, a Fulbright Scholarship to Slovenia, and a Camargo Fellowship in France. Sajé is a professor of English at Westminster College in Salt Lake City, and a member of poetry faculty at the Vermont College of Fine Arts M.F.A. in Writing Program. www.natashasaje.com
June Sylvester Saraceno (’06): June Sylvester Saraceno is author of the poetry collection Of Dirt and Tar, released in 2014 from Cherry Grove Collections, as well as Altars of Ordinary Light and Mean Girl Trips, a chapbook of prose poems. Her work has appeared widely in journals and anthologies including Southwestern American Literature, Tar River Poetry, Steel Toe Review, Smartish Pace and many more. She is a professor and English Program Chair at Sierra Nevada College (SNC), director of the Writers in the Woods literary speaker series, founding editor of the Sierra Nevada Review, and founder of the annual Tahoe Poetry Slam. www.junesaraceno.com.
Shelley Savren (’01): Shelley Savren’s new books, Welcome to Poetryland: Teaching Writing to Young Children and The Form of Things Unknown: Teaching Writing to Teens and Adults, which document 40 years of teaching poetry – complete with memoir, poetry-writing exercises and model poems by professionals and students – were published by Rowman & Littlefield in June 2016. Shelley lost her battle with cancer July 3, 2017. www.shelleysavren.com
Photo Credit: Rachel Eliza Griffiths
Born in St. Thomas, U.S.V.I. and raised in Apopka, Florida, Nicole Sealey is the author of Ordinary Beast and The Animal After Whom Other Animals Are Named, winner of the 2015 Drinking Gourd Chapbook Poetry Prize. Her other honors include an Elizabeth George Foundation Grant, the Stanley Kunitz Memorial Prize from The American Poetry Review, a Daniel Varoujan Award and the Poetry International Prize, as well as fellowships from CantoMundo, Cave Canem, MacDowell Colony and the Poetry Project. Her work has appeared in The New Yorker, The New York Times and elsewhere. Nicole holds an MLA in Africana studies from the University of South Florida and an MFA in creative writing from New York University. She is the executive director at Cave Canem Foundation, Inc.
Anne Shaw (’10): Anne Shaw is the author of Undertow, winner of the 2007 Lexi Rudnitsky Poetry Prize, and of Dido in Winter (Persea, 2013). Her work has appeared and is forthcoming in numerous journals, including Harvard Review, New American Writing, Indiana Review, Kenyon Review, and Crab Orchard Review. She has also been featured on Poetry Daily and From the Fishouse. She is also a visual artist, currently studying at The School of the Art Institute of Chicago. www.anneshaw.org
Kent Shaw (’04): Kent Shaw’s first book, Calenture, was published in 2008. He has since published work in The Believer, Boston Review, Colorado Review, Denver Quarterly and elsewhere. He has been awarded a residency at the MacDowell Colony. He is currently an Assistant Professor at West Virginia State University.
Evie Shockley is the author of several collections of poems including most recently semiautomatic (2017) , which was a finalist for the 2018 Pulitzer Prize, and the new black (2011), both published by the Wesleyan Poetry Series. the new black won the 2012 Hurston/Wright Legacy Award in Poetry. She has also published a critical study, Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry (2011). Her poetry and essays appear widely in journals and anthologies. Her honors include the 2015 Stephen Henderson Award for Outstanding Achievement in Poetry and the 2012 Holmes National Poetry Prize. Currently serving as creative editor for Feminist Studies, Shockley is Associate Professor of English at Rutgers University–New Brunswick.
Photo Credit: Nancy Crampton
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Scot Siegel‘s books of poems include The Constellation of Extinct Stars and Other Poems (County Clare, Ireland: Salmon Poetry, 2016), Thousands Flee California Wildflowers (Salmon Poetry, 2012), and Some Weather (Plain View Press, 2008). He is also the author of two chapbooks, Skeleton Says (Finishing Line Press, 2010) and Untitled Country (Untitled Country, 2009). Honors include fellowship-residencies with Playa at Summer Lake, Honorable Mention in Nimrod International’s Pablo Neruda Poetry Prize Contest (Philip Levine, Judge), finalist in Aesthetica Magazine’s (UK) Creative Works Contest, and Oregon State Library-Poetry Northwest “150 Outstanding Oregon Poetry Books,” among others. Siegel published the literary journal Untitled Country Review (2010-2013). www.scotsiegel.com
Kevin Simmonds is a poet, composer, musician and performer. His books include the poetry collection Bend to it (Salmon Poetry, 2014), Mad for Meat (Salmon Poetry, 2011), Ota Benga Under My Mother’s Roof, the edited edition of the late Carrie Allen McCray’s final work of poetry (University of South Carolina Press, 2012), and the poetry anthology Collective Brightness: LGBTIQ Poets on Faith, Religion & Spirituality (Sibling Rivalry Press, 2011). Kevin received a Fulbright fellowship to Singapore where he started the first-ever poetry workshop in Changi Prison. He has published poems, essays and reviews inAmerican Scholar, FIELD, jubilat, Kyoto Journal, Massachusetts Review, Poetry, Rhino and Salt Hill, and in the anthologies Beyond the Frontier, Ecopoetry, Gathering Ground, The Ringing Ear, To Be Left with the Body and War Diaries. www.kevinsimmonds.com
Photo Credit: Wrzesniewski, Kristen
Melissa Stein is the author of the poetry collections Terrible Blooms (Copper Canyon Press) and Rough Honey, winner of the APR/Honickman First Book Prize. Her work has appeared in Ploughshares, Tin House, Harvard Review, New England Review, American Poetry Review, Best New Poets, and others. She has received awards and fellowships from the Pushcart Prize, NEA, Bread Loaf Writers Conference, MacDowell Colony, and Yaddo. She is a freelance editor in San Francisco.
Barbara Buckman Strasko is the author of the collection of poetry Graffiti in Braille (Word Press, 2012). Strasko was the first Poet Laureate of Lancaster County and the 2009 River of Words Teacher of the Year. Her poem “Bricks and Mortar ‘ was selected to be engraved in granite and bronze in the main square of her city in Lancaster PA.
Judith Taylor‘s newest book, Sex Libris, was published by What Books Press in 2013. She’s the author of two previous poetry collections, Curios and Selected Dreams from the Animal Kingdom, and a chapbook, Burning. Taylor is the co-editor of Air Fare: Stories, Poems and Essays on Flying. Her work has been included in numerous anthologies and journals. She is the recipient of a Pushcart Prize. Currently, she teaches private classes, travels, takes photographs, and co-edits the online poetry journal POOL. www.judithtaylorpoet.com
Amber Flora Thomas is the author of two collections of poems: Eye of Water, selected by Harryette Mullen as the winner of the 2004 Cave Canem Poetry Prize, and The Rabbits Could Sing, selected by Peggy Shumaker for the Alaska Literary Series in 2011. A recipient of the Dylan Thomas American Poet Prize, Richard Peterson Prize, and Ann Stanford Prize, she is currently an Assistant Professor of Creative Writing at East Carolina University. Her third collection, Red Channel in the Rupture was published by Red Hen Press in 2018. She attended the Community of Writers for the first time in 1993, and has been back many times since then.
Photo Credit: John F. Martin
Robert Thomas’ novel, Bridge, published by BOA Editions, Ltd, was named the 2015 PEN Center USA Literary Award for Fiction. His first book of poetry, Door to Door, was selected by Yusef Komunyakaa as winner of the Poets Out Loud Prize and published by Fordham University Press, and his second book, Dragging the Lake, was published by Carnegie Mellon University Press. He has received a poetry fellowship from the National Endowment for the Arts and won a Pushcart Prize. www.robertthomaspoems.com
Lynne Thompson (’97,’02): Lynne Thompson is the author of two full-length collections of poetry: Beg No Pardon (2007), winner of the Perugia Press Book Award and the Great Lakes Colleges Association’s New Writers Award, and Start With A Small Guitar (2013). A Pushcart Prize nominee and recipient of a Fellowship from the City of Los Angeles in 2015, her poems have appeared in numerous journals including the African American Review, Ploughshares, Prairie Schooner, and Crab Orchard Review, as well as the recent anthology Wide Awake, Poets of Los Angeles and Beyond. Thompson has served as a Preliminary Judge for the Kate & Kingsley Tufts Awards and she is Reviews & Essays Editor for the California journal, Spillway.
Francine Marie Tolf‘s memoir, Joliet Girl, and her first full-length collection of poems, Rain, Lilies, Luck, were published by North Star Press of St. Cloud in 2010. Prodigal (Pinyon Publishing) was released in 2012. Her essays and poems have appeared in numerous journals, including Water~Stone, Rattle, New Letters, Margie and Southern Humanities Review. Francine received a Squaw Valley poetry fellowship in 2002 and has since received grants from the Minnesota State Arts Board, the Barbara Deming / Money for Women Foundation, and the Elizabeth George Foundation. She was a nonfiction winner in the 2006-07 Loft Mentor Series contest and has twice been awarded Honorable Mention in the Pablo Neruda Poetry Contest. Francine is the author of three poetry chapbooks (two from Pudding House and one from Plan B). Sample her work at www.francinemarietolf.com.
Photo Credit: Karen Wolf
Ann Tweedy’s first full-length book, The Body’s Alphabet, was published by Headmistress Press in August ’16. The Body’s Alphabet was the winner of the Bisexual Book Award in Poetry, 2017. She also has published two chapbooks: Beleaguered Oases (tcCreativePress ’10) and White Out (Green Fuse Press ’13). Her poetry has appeared in Clackamas Literary Review, Rattle, damselfly press, Lavender Review, literary mama, Harrington Lesbian Literary Quarterly, and elsewhere. Ann is a student in Hamline University’s M.F.A. Program. Originally from Southeastern Massachusetts, she has lived in many places on the West Coast and in the Midwest and now lives in Washington State. In addition to writing poetry and essays, she is a law professor and a practicing attorney who represents Indian Tribes. She attended the Community of Writers in ’97, ’00, ’04, ’07, ’12, ’15. www.anntweedypoetry.com
Sally Van Doren, a poet and artist, is the author of three poetry collections, Promise (LSU Press 2017), Possessive (2012) and Sex at Noon Taxes (2008) which received the Walt Whitman Award from the Academy of American Poets. She has taught at the 92nd Street Y in New York, Washington University and the St. Louis Public schools and is a curator for the St. Louis Poetry Center. A graduate of Princeton (BA) and the University of Missouri-St. Louis (MFA), she posts daily excerpts from her ongoing poem, The Sense Series, via Instagram@sallyvandoren. Her poems have appeared widely in literary magazines such as American Poet, Boulevard, The New Republic and The Southern Review. Three of her poems were chosen as the Poem-A-Day on poets.org and her poem, “Preposition,” is featured as an animated film in the PBS Poetry Everywhere program. She attended the Community of Writers in 2001, 2003 and 2006. www.sallyvandoren.com
Photo Credit: Monaghan, Marc
Valerie Wallace’s debut poetry collection House of McQueen (March 2018) was chosen by Vievee Francis for the Four Way Books Intro Prize in Poetry. Her work was chosen by Margaret Atwood for the Atty Award, and she has received an Illinois Arts Council Literary Award and the San Miguel de Allende Writers Conference Award in Poetry, as well as many grants to support her work, for which she is extremely grateful. Valerie manages the Hillary Gravendyk Scholarship for first-time attendees to the SVCW Poetry Workshop. She attended the Community of Writers in 2010.
Paul Watsky, who lives and works in San Francisco and Inverness, CA, is co-translator with Emiko Miyashita of Santoka (PIE Books, 2006); two collections of his own, Telling The Difference and Walk-Up Music (Fisher King Press 2010, 2015), the latter receiving a Kirkus Recommended Review; and has work in The Carolina Quarterly, Interim, Rattle, Smartish Pace, and elsewhere. A onetime assistant professor of English at San Francisco State University, he retrained as a clinical psychologist and Jungian analyst, career threads which now intertwine. As Poetry Editor of Jung Journal: Culture and Psyche, he delivered a paper in 2016 entitled “Ecocidal Themes in Japanese and English Language Poetry” at the international Jungian congress in Kyoto, and as a psychotherapist specializes in issues related to creativity in the arts and sciences. Paul attended the Community of Writers in 2007, 2009, 2011, 2013, and 2017. www.paulwatskypoetry.com
David Watts (’90,’91,’92,’93,’97,’99,’02,’04,’13): David Watts has won the Talent House Press award for the chapbook, Making, and was runner-up in The Francis Lock Prize competition for the most imaginative poem, “loss.” Seven books of poetry, two CD’s of word-jazz, two collections of short stories (Random House and U. Iowa Press) and four anthologies have been published. Essays that focus on writing and healing have been published by The NEJM, The Examined Life, and California Medicine. His mystery novel, The Lucifer Connection, was released in the summer of 2015 and his futuristic novella, Future Perfect, will be published March, 2016 by Flannigan-Wale of London. He created a summer writers workshop, Writing the Medical Experience, hosted by SVCW, Sarah Lawrence College and Dominican University. He was Executive Producer (with Joan Baranow) for the Documentary, “Healing Words: Poetry and Medicine,” which aired on PBS during 2008-9. He has taught poetry at the Fromm Institute for twenty years. www.davidwattsbooks.com
Photo Credit: Karen Schneider
Charles Harper Webb (’91): Charles Harper Webb’s eleventh collection of poems, Brain Camp, was published by the University of Pittsburgh Press in 2015. A Million MFAs Are Not Enough, a book of essays on contemporary American poetry, was published by Red Hen Press in 2016. Recipient of grants from the Whiting and Guggenheim foundations, Webb teaches Creative Writing at California State University, Long Beach. He attended the Community of Writers in 1991.
Sholeh Wolpé is a poet, playwright and literary translator. Born in Iran, she spent most of her teen years in Trinidad and the UK before settling in the United States. She is a recipient of the 2014 PEN/Heim, 2013 Midwest Book Award and 2010 Lois Roth Persian Translation prize. Wolpé is the author of three collections of poetry and three books of translations, and is the editor of three anthologies. Her upcoming book, Attar’s Conference of the Birds, was released by W.W. Norton in March, 2017. Sholeh lives in Los Angeles and attended the Community of Writers in 2004. www.sholehwolpe.com
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Mark Wunderlich’s collections of poetry include The Anchorage (1999), winner of the Lambda Literary Award, and Voluntary Servitude (2004). His honors include fellowships from the National Endowment for the Arts, the Fine Arts Work Center in Provincetown, the Massachusetts Cultural Council, and the Bread Loaf Writers Conference. He has also been awarded the Amy Lowell Poetry Travelling Scholarship and the Wallace Stegner Fellowship from Stanford University. His poetry has been featured in numerous anthologies, including The New Young American Poets (2000, ed. Kevin Prufer), and Word of Mouth: An Anthology of Gay American Poetry (2000, ed. Timothy Liu). He attended the Poetry Workshop at the Community of Writers in 1993. www.markwunderlich.com
For years Bill Yake directed investigations into the toxic contamination of water, fish, and sediment for the Washington State Department of Ecology while writing poetry on the sly. Now his hidden life and perceptions have been revealed in two collections of poetry; This Old Riddle: Cormorants and Rain(2003) and Unfurl, Kite, and Veer (2010) both from Radiolarian Press, Astoria OR. His poems have been published widely in magazines and anthologies serving the environmental and literary communities – from Wilderness Magazine to Anthropology and Humanism, from Open Spaces Quarterly to Fine Madness, fromRattle to ISLE – Interdisciplinary Studies in Literature and the Environment. Recently two of his tree-inspired poems were featured in Between Earth and Sky, a book by the instigator of forest canopy research, Nalini Nadkarni. Bill’s poetry has also won the Alligator Juniper Award (2003) and the James M. Snydal Prize (2004), and his poem “The Lowly, Exalted” was featured in anexhibition celebrating invertebrates in art.
Photo Credit: Jean Lachat
Emily Jungmin Yoon is the author of Ordinary Misfortunes, the 2017 winner of the Sunken Garden Chapbook Prize by Tupelo Press and selected by Maggie Smith, and A Cruelty Special to Our Species, published by Ecco Books in September 2018.
Born in Busan, Republic of Korea, since the age of 10, she has lived in Canada and the US and currently lives in Chicago. She has also accepted awards and fellowships from Ploughshares’ Emerging Writer’s Contest, AWP’s WC&C Scholarship Competition, Aspen Words, and elsewhere. In 2017, she received the Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation. Her poems and translations have appeared or are forthcoming in The New Yorker, POETRY, The New York Times Magazine, Korean Literature Now, and elsewhere.
Gary Young is a poet and artist whose honors include grants from the NEH, the California Arts Council, and two fellowship grants from the NEA. He’s received a Pushcart Prize, and his book, The Dream of a Moral Life, won the James D. Phelan Award. He is the author of Hands, Days, Braver Deeds, (Peregrine Smith Poetry Prize), No Other Life, (William Carlos Williams Award), Pleasure, and Even So: New and Selected Poems. His latest chapbook, Adversary, was recently released by Miramar Editions. His print work is represented in collections including the Museum of Modern Art, the Victoria and Albert Museum and The Getty Center for the Arts. In 2009 he received the Shelley Memorial Award from the PSA. He teaches creative writing, and directs the Cowell Press at UC Santa Cruz.
Photo Credit: Margaret Mitchell
Joseph Zaccardi is a Vietnam veteran (1967-1970). He taught colloquial American English at Đồng Tháp, University, Cao Lãnh, Vietnam (1989-1990). He served as Marin County, CA poet laureate (2013-2015), and during his tenure published and edited Changing Harm to Harmony, Bullies & Bystanders Project. He is the author of four books poetry: Vents (Pancake Press 2015), Render (Poetic Matrix Press 2013), The Nine Gradations of Light (Bark for Me Publications 2013), and A Wolf Stands Alone in Water (CW Books 2015). He attended the Squaw Valley poetry workshop in 2006 & 2010. www.josephzaccardi.com
Javier Zamora was born in La Herradura, El Salvador in 1990. His father fled El Salvador when he was a year old; and his mother when he was about to turn five. Both parents’ migrations were caused by the US-funded Salvadoran Civil War (1980-1992). In 1999, Javier migrated through Guatemala, Mexico, and eventually the Sonoran Desert. Before a coyote abandoned his group in Oaxaca, Javier managed to make it to Arizona with the aid of other migrants. His first full-length collection, Unaccompanied (Copper Canyon Press, September 2017),explores how immigration and the civil war have impacted his family. Zamora is a 2018-2019 Radcliffe Fellow at Harvard University and holds fellowships from CantoMundo, Colgate University (Olive B. O’Connor), MacDowell, Macondo, the National Endowment for the Arts, Poetry Foundation (Ruth Lilly), Stanford University, and Yaddo. The recipient of a 2017 Lannan Literary Fellowship, the 2017 Narrative Prize, and the 2016 Barnes & Noble Writer for Writers Award for his work in the Undocupoets Campaign.