Robert Hass has published many books of poetry including Field Guide, Praise, Human Wishes, Sun Under Wood, and The Apple Trees at Olema: New and Selected Poems. His collection of poems entitled Time and Materials won both the National Book Award and the Pulitzer Prize. He has also written books of essays including Twentieth Century Pleasures, Now & Then, and A Little Book on Form: An Exploration Into the Formal Imagination of Poetry. His book of essays, What Light Can Do: Essays on Art, Imagination, and the Natural World, is the recipient of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. Hass translated many of the works of Nobel Prize-winning Polish poet, Czeslaw Milosz, and he has edited Selected Poems: 1954-1986, by Tomas Transtromer; The Essential Haiku: Versions of Basho, Buson, and Issa; Poet’s Choice: Poems for Everyday Life; the 2001 edition of Best American Poetry; and Modernist Women Poets: An Anthology (with Paul Ebenkamp). He wrote the introduction to an edition of selected Walt Whitman poems titled Song of Myself: And Other Poems. He also wrote The Poetic Species: A Conversation with Edward O. Wilson and Robert Hass. His most recent book is Summer Snow: New Poems. He directed the Poetry Program at the Community of Writers for over 20 years.
Sharon Olds is the author of thirteen books of poetry, including most recently National Book Award Finalist Balladz (2022), Arias (2019), which was short-listed for the 2020 Griffin Poetry Prize, and Odes (2016). Her 2012 collection Stag’s Leap won both the Pulitzer Prize and England’s T. S. Eliot Prize. Olds is the Erich Maria Remarque Professor of Creative Writing at New York University’s Graduate Creative Writing Program, where she helped to found workshop programs for residents of The Sigismund Goldwater Memorial Hospital on Roosevelt Island, and for veterans of the wars Iraq and Afghanistan. She lives in New York City. www.sharonolds.net