Lisa Alvarez’s poetry and prose has been published in Borderlands: Texas Poetry Review, Huizache, [PANK], Santa Monica Review, TAB Journal and most recently in So It Goes, the literary journal of the Kurt Vonnegut Museum and Library as well as anthologies including Sudden Fiction Latino: Short-Short Stories from the United States and Latin America (Norton). Along with Andrew Tonkovich, she co-edited Orange County: A Literary Field Guide (Heyday). She is the editor of the forthcoming Why to These Rocks: 50 Years of Poems from the Community of Writers (Heyday). Born in Los Angeles, she earned an MFA from UC Irvine and has taught for nearly 30 years as a professor of English at Irvine Valley College. She co-directs the Writers Workshops, and serves serves as Assistant Program Director at the Community of Writers.
Michael Carlisle, a founder of InkWell Management, has been involved with the Community of Writers for many years. His fiction and nonfiction client list includes prize-winning as well as debut authors. A former director of the Association of Author’s Representatives, a not-for-profit organization of independent literary and dramatic agents, Michael is an active member of PEN. He directs the Nonfiction Program of the Community of Writers and serves on the Board of Directors. http://inkwellmanagement.com/staff/michael-v.-carlisle
Diana Fuller is a freelance curator, editor, and producer of Rift, Racing to Zero, Once Was Water. She I is the on-going director of the Screenwriting Program at the Community of Writers. She is the editor of Art/Women/California 1950-2000: Parallels and Intersections, published in 2004, by University of California Berkeley Press. She has been curator for contemporary art exhibitions for 40 years. She serves on the Boards of the Community of Writers, the The Artists in Residence Program at Recology and the Conflict Awareness Project. She was the last president of the Film Arts Foundation and past Chair of the Roxie non-profit theater.
Sands Hall‘s recent memoir, Reclaiming My Decade Lost in Scientology, (Counterpoint), was a finalist for the Northern California Book Award, and a Publishers Weekly Best Book in Religion and Spirituality. She is also the author of the novel, Catching Heaven (Ballantine), a Willa Award Winner, Women Writing the West, and a Random House Reader’s Circle selection; as well as a volume of essays and exercises, Tools of the Writer’s Craft. Stories and essays have been published in such places as Iowa Review, New England Review, and Los Angeles Review of Books, and she has written several produced plays. Professor Emeritus at Franklin & Marshall College, Sands is a writing coach and teaches for the Iowa Summer Writing Festival and for the Community of Writers, among other conferences. She is also a theater artist and a singer/songwriter. Sands lives in Nevada City, California. Please visit https://sandshall.com/
Photo Credit: Tracy Hall
Robert Hass is a poet, translator and essayist. His most recent books include a new collection of poems, Summer Snow (Ecco/HarperCollins), and a collection of essays, A Little Book on Form: An Exploration Into the Formal Imagination of Poetry (HarperCollilns). His other books include his book of prose, What Light Can Do: Essays 1985-2010; his selected poems, The Apple Trees at Olema; Time and Materials, which was awarded the Pulitzer Prize and the National Book Award; and his edition of Walt Whitman’s Song of Myself and Other Poems. His other books of poetry include Sun Under Wood: New Poems, Human Wishes, Praise, and Field Guide. He has also co-translated many volumes of the poetry of Czeslaw Milosz and is the author or editor of several other collections of essays and translations, including The Essential Haiku: Versions of Basho, Buson, and Issa; Twentieth Century Pleasures: Prose on Poetry; and Now & Then: The Poet’s Choice Columns 1996-2000. He served as Poet Laureate of the United States from 1995 to 1997. Awarded a MacArthur Fellowship and, twice, the National Book Critics Circle Award, he is a professor of English at UC Berkeley.
Photo Credit © Miriam Berkley
Louis B. Jones is the author of the novels Ordinary Money (Viking); Particles and Luck and California’s Over (Pantheon); Radiance, and Innocence (Counterpoint). His short fiction and essays have appeared in ZYZZYVA, The Threepenny Review, Open City, The Sun, Santa Monica Review, the Pushcart Prize, and The Best of Pushcart anthology. He co-directs the Writers Workshops at the Community of Writers. www.louisbjones.com