Sarah Maclay (’97/’07) is the author of four poetry collections, most recently The “She” Series: A Venice Correspondence (What Books, 2016), a braided collaboration with poet Holaday Mason; Music for the Black Room (UT Press, 2011); and The White Bride (UT Press, 2008), a book of prose poems. Her poetry, criticism and theatre pieces have appeared in well over 100 publications. Among them are The American Poetry Review, Ploughshares, FIELD, Hotel Amerika, The Writer’s Chronicle, Pool, ZZYZYVA, lyric, Ninth Letter, The Laurel Review, The Journal, Manoa, Scenarios: Scripts to Perform, The Best American Erotic Poems: From 1800 to the Present (Scribner), Slope 47, Poetry Daily, VerseDaily and Poetry International, where she also served as Book Review Editor for a decade, as well. The recipient of a Special Mention in Pushcart Prize XXXI, she teaches at LMU and conducts workshops at The Ruskin Art Club and Beyond Baroque.